Hashim, Portrait of Ibrahim Adil Shah II of Bijapur, from the Shah Jahan Album
The Metropolitan Museum of Art, Purchase, Rogers Fund and The Kevorkian Foundation Gift, 1955 · CC0 1.0 (The Met Open Access) · File page

Hashim

Portrait of Ibrahim Adil Shah II of Bijapur, from the Shah Jahan Album

c. 1620 (portrait); calligraphy on the reverse 1534 or later · Ink, opaque watercolour and gold on paper

A Deccan sultan, painted for a Mughal album.

Artist
Hashim
Date
c. 1620 (portrait); calligraphy on the reverse 1534 or later
Medium
Ink, opaque watercolour and gold on paper
Where it is
The Metropolitan Museum of Art, New York (55.121.10.33)
Kind
Deccani painting, Mughal painting

Ibrahim Adil Shah II, who ruled Bijapur from 1580 to 1627, stands alone against a pale green ground, dressed in white, a sword held upright before him. There is no throne, no court, no landscape: only a strip of flowers at his feet and a wide gold margin around the picture.

The painter, Hashim, is thought to have worked in the Deccan before joining the Mughal studio around 1620. The firm outlines and the colour are read as traces of that earlier training; the close attention to the face is Mughal. The page was mounted in the album Shah Jahan assembled, with older calligraphy by Mir Ali Heravi on the other side of the leaf.

The sitter was a musician as well as a king. He wrote poems about his wife and his tanpura, and the Kitab-i Nauras, a book on music, is his. His court gave the Dakhni language equal standing with Persian.

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