Unknown painter at Bijapur (called the Dublin Painter), Yogini with a Mynah Bird
Chester Beatty, Dublin, via Wikimedia Commons · Public domain (PD-Art, PD-old-70) · File page

Unknown painter at Bijapur (called the Dublin Painter)

Yogini with a Mynah Bird

Early 17th century · Pigment, ink and gold on paper

An ascetic in a princess's clothes, mynah in hand.

Artist
Unknown painter at Bijapur (called the Dublin Painter)
Date
Early 17th century
Medium
Pigment, ink and gold on paper
Where it is
Chester Beatty, Dublin (In 11A.31)
Kind
Deccani painting

A tall, thin woman stands in a garden of lotus and peony with a mynah perched on her raised hand. Her skin is ash-grey and her hair is tied in a topknot, both marks of a yogini. Yet she wears a red peshwaj, a gold dupatta and heavy gold jewellery. Behind her rise Deccan rocks, a hill and a small palace under a gold sky. Panels of Persian verse frame the picture on all four sides.

Scholars do not agree on who she is: a noblewoman who has left the palace for the ascetic life, or something darker. The art historian Mark Zebrowski read her as a sorceress and the bird as a bad omen.

The painting is dated to the early seventeenth century and is presumed to have been made for the court of Ibrahim Adil Shah II at Bijapur. The painter’s name is lost; he is called the Dublin Painter, after this picture’s home.

Related works

Hashim, Portrait of Ibrahim Adil Shah II of Bijapur, from the Shah Jahan Album
Hashim Portrait of Ibrahim Adil Shah II of Bijapur, from the Shah Jahan Album c. 1620 (portrait); calligraphy on the reverse 1534 or later · Ink, opaque watercolour and gold on paper A Deccan sultan, painted for a Mughal album.