Unknown Thanjavur painter, Navaneeta Krishna
National Museum, New Delhi, via Google Arts & Culture and Wikimedia Commons · Public domain (PD-Art, anonymous work) · File page

Unknown Thanjavur painter

Navaneeta Krishna

Second half of the 19th century · Paint, gold leaf and gesso on cloth over wood

The child Krishna enthroned in raised gold.

Artist
Unknown Thanjavur painter
Date
Second half of the 19th century
Medium
Paint, gold leaf and gesso on cloth over wood
Where it is
National Museum, New Delhi (62.490)
Kind
Tanjore painting

A plump child Krishna reclines on a green cushion under a gold arch, hung with jewels and flower garlands. Attendants stand at either side and winged figures fly in the upper corners. Almost every architectural line, from pillars to the crown, stands up from the surface in raised and gilded relief.

This is how Thanjavur paintings were made. Cloth was pasted on a wooden board and coated with chalk or limestone paste; the outline was drawn or traced; then the raised parts were built up with a paste of lime and gum, covered in gold leaf, and set with glass or stones. Colour came last.

The form took shape at the Maratha court of Thanjavur, and the paintings were made as devotional icons. The faces are round, the eyes almond-shaped, the composition still. This one is in the National Museum in New Delhi.