Amrita Sher-Gil, Bride's Toilet
Amrita Sher-Gil, National Gallery of Modern Art, via Google Arts & Culture and Wikimedia Commons · Public domain in India (PD-Art, PD-India); Commons notes it may still be under copyright in the United States · File page

Amrita Sher-Gil

Bride's Toilet

1937 · Oil on canvas

From her South Indian trilogy, after Ajanta.

Artist
Amrita Sher-Gil
Date
1937
Medium
Oil on canvas
Where it is
National Gallery of Modern Art, New Delhi

A young bride sits half-turned from us, bare-backed, while women around her prepare her: one combs her hair, one holds out a small bowl. A child watches from the right edge. Two red clay pots stand on the floor. The skin tones are dark and warm against a brown ground, and the bride, paler, is the one still point.

Sher-Gil painted it in 1937 after travelling through South India and visiting the Ajanta caves. It belongs with Brahmacharis and South Indian Villagers Going to Market, three pictures usually grouped as her South Indian trilogy. In them she made a conscious return to classical Indian art, and her stated aim from then on was to paint the life of Indian people.

Critics in Bombay and Lahore called her the greatest painter of the century; her paintings found few buyers. It is in the National Gallery of Modern Art in New Delhi.

More by Amrita Sher-Gil

Amrita Sher-Gil
Amrita Sher-Gil, Group of Three Girls
Amrita Sher-Gil Group of Three Girls 1935 · Oil on canvas, 73.5 × 99.5 cm Painted the year after she came home.